- Week 1: Introduction: autobiography, memory, interior monologue (Le pacte autobiographique, Lejeune)
- Week 2: Marcel Proust, Du côté de chez Swann
- Week 3: Simone de Beauvoir, Mémoires d’une jeune fille rangée
- Week 4: Romain Gary, La promesse de l’aube
- Week 5: Georges Perec, W ou le souvenir d’enfance
- Week 6: Albert Camus, Le premier homme
- Week 7: Albert Camus II
- Week 8: Albert Cohen, Le livre de ma mère
- Week 9: Albert Cohen II
- Week 10: Marguerite Duras, L’Amant
- Week 11: Marguerite Duras, L’Amant
- Week 12: Annie Ernaux, Les Années
- Week 13: Revision
Literary Translation French ‒ Greek III
Teaching Staff: Sidiropoulou Angeliki
Course Code: LT-7226
Gram-Web Code: ΛΜ3508-1Θ
Course Category: Specialization
Course Type: Compulsory
Course Level: Undergraduate
Course Language: French / Greek
Semester: 7th
ECTS: 3
Total Hours: 2
Erasmus: Not Available
This course completes the training cycle in translating literary texts from french into greek. Its level of difficulty exceeds that of the previous semesters. It examines texts with distinctive thematic and stylistic features, specifically childhood-memory prose and autobiography, as well as writing built on interior monologue. All texts belong to the 20th and 21st centuries and correspond to level C1–C2.
For the weekly/ semester assignments, if necessary, the limited use of Machine Translation and Artificial Intelligence is allowed to look for specific terms or clarify any ambiguities, but not for the entire text to be translated. The use of MT and AI is strictly prohibited during exams.
By the end of the course, students will analyse the narrative techniques of autobiographical discourse and interior monologue. They will render long-period syntax, ellipsis and rhythm into greek without smoothing out the style. They will learn to identify and reproduce each author’s stylistic imprint (empreinte stylistique). They will critically evaluate published greek translations.
- Berman, A. (1999). La traduction et la lettre ou l’auberge du lointain. Paris: Seuil.
- Cohn, D. (1978). Transparent Minds: Narrative Modes for Presenting Consciousness in Fiction. Princeton (NJ): Princeton University Press.
- Lejeune, P. (1975). Le pacte autobiographique. Paris: Seuil.
- Meschonnic, H. (1999). Poétique du traduire. Lagrasse: Verdier.
- Dimitroulia, T. & Kentrotis, G. (2015). Literary Translation: Theory and Practice [Λογοτεχνική μετάφραση: θεωρία και πράξη]. Athens: Kallipos.
The method is based on three steps: first, close reading and stylistic analysis of the original; then translation; then systematic line-by-line comparison of source and target. The quality criterion is stylistic fidelity and naturalness, meaning that the translation should read as an original. Where published French translations exist, they are examined comparatively only after the students’ own versions have been submitted.
Students keep a portfolio: each translation is submitted, revised after class discussion, and resubmitted in its final form.
Use of ICT in teaching.
- Portfolio of translations with the revised versions from the semester and translation commentary (30%)
- Final written exam: translation of a C1–C2 level passage with commentary on the choices made (70%)
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Literary Translation French ‒ Greek III
